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fjt_128018 - FRENCH ROYAL ACADEMY OF PAINTING AND SCULPTURE Académie royale de Peinture et de Sculpture 1764

FRENCH ROYAL ACADEMY OF PAINTING AND SCULPTURE Académie royale de Peinture et de Sculpture F
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Price : 24.00 €
Type : Académie royale de Peinture et de Sculpture
Date: 1764
Metal : copper
Diameter : 30 mm
Orientation dies : 6 h.
Weight : 11,35 g.
Rarity : R2
Catalogue references :

Obverse


Obverse legend : LUDOVICUS XVI. ARTIUM PARENS..
Obverse description : Buste à gauche de Louis XVI, signé DU VIVIER, type Guéant Prieur 716D.

Reverse


Reverse legend : AMICÆ QUAMVIS ÆMULÆ ; À L’EXERGUE : ACAD. ROYALE DE PEINT. ET DE SCULPT 1764..
Reverse description : La peinture et la sculpture se tenant la main.
Reverse translation : A la fois amis et émules.

Commentary


Le jeton ne date évidemment pas de 1764. Il doit plutôt dater de la fin des années 1770. C’est cet exemplaire qui illustre le type dans le Guéant Prieur.

Historical background


FRENCH ROYAL ACADEMY OF PAINTING AND SCULPTURE

The Royal Academy of Painting and Sculpture, responsible for training future painters and sculptors, was established in 1648 on the initiative of a group of artists, including Philippe de Champaigne, Sébastien Bourdon, Charles Le Brun, or again Juste d'Egmont, supported by Mazarin himself, in order to counteract the influence of the guilds of Saint-Luc, and to formalize the distinction between the noble arts and the so-called "mechanical" arts. By favoring artists in this way, the Académie, established in the Louvre in 1656, immediately subscribed to the prestige policy of the monarchy and to the idea of the Grand Siècle, to which it provided numerous references. Its motto is "Libertas artibus restituta". Some famous names have written the greatness of the Academy: Jacques Firmin, Beauvarlet, Philippe de Champaigne, Jacques-Louis David, Nicolas de Largillière, Charles Le Brun, Jean-Baptiste Pigalle, Hyacinthe Rigaud, Élisabeth Vigée Le Brun, Dominique Vivant Denon , etc. Recommended reading: VITET L., "The Royal Academy of Painting and Sculpture", Paris, 1861.

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