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v23_0799 - HOARD OF BRIDIERS (CREUSE) Drachme de Bridiers

HOARD OF BRIDIERS (CREUSE) Drachme de Bridiers XF
MONNAIES 23 (2004)
Starting price : 450.00 €
Estimate : 1 200.00 €
Realised price : 1 256.00 €
Number of bids : 16
Maximum bid : 1 560.00 €
Type : Drachme de Bridiers
Date: c. 80-60 AC.
Metal : silver
Diameter : 18,5 mm
Orientation dies : 6 h.
Weight : 4,27 g.
Rarity : R3
Coments on the condition:
Très bel exemplaire, avec le droit et le revers très bien centrés et complets. Le revers est partiellement couvert d'anciennes concrétions, avec des taches marron et verdâtre
Catalogue references :
Predigree :
Monnaie provenant d’une collection du sud, et faisait certainement partie du Trésor de Bridiers

Obverse


Obverse legend : ANÉPIGRAPHE.
Obverse description : Tête d’Apollon à droite, laurée avec une couronne à huit feuilles (A6 II).

Reverse


Reverse legend : ANÉPIGRAPHE.
Reverse description : Animal hybride dérivé du lion des drachmes de Marseille ; chaudron au-dessus ; ligne d’exergue.

Commentary


De même coin de droit que l'exemplaire BN 2252, illustré dans le LA TOUR, de même coins de droit que les exemplaires 772, 775, 778 et 785 du Musée des Antiquités Nationales et que les exemplaires MONNAIES XV, n° 391 et 392. Le revers semble être issu du même coin que l'exemplaire MONNAIES XV, n° 390 qui était nouveau et inconnu de Monsieur BARDON qui réalise le corpus des monnaies au type du Trésor de Bridiers. Les trois exemplaires de ce type proposés dans MONNAIES XV (n° 390-392) ont reçu un total de 53 ordres et se sont vendus respectivement 701, 2566 et 525 € sur des offres maximums de 1754, 3850 et 755 €.
Same obverse die as copy BN 2252, illustrated in LA TOUR, same obverse die as examples 772, 775, 778 and 785 of the Musée des Antiquités Nationales and examples MONNAIES XV, n° 391 and 392. The reverse seems to come from the same die as copy MONNAIES XV, n° 390 which was new and unknown to Mr BARDON who created the corpus of coins of the type of the Trésor de Bridiers. The three examples of this type offered in MONNAIES XV (n° 390-392) received a total of 53 orders and sold respectively for €701, €2566 and €525 on maximum offers of €1754, €3850 and €755

Historical background


HOARD OF BRIDIERS (CREUSE)

(3rd - 2nd century BC)

Discovered around 1861 and described in the Memoirs of the Society of Natural and Archaeological Sciences of Creuse in 1862 by A. Fillioux, this treasure also bears the names of Trésor de Brède or de Breith. Bridiers, hamlet of La Souterraine (Creuse), is located at the northern limit of the territory of Lémovices and very close to two other peoples; Pictons to the west and Bituriges Cubi to the north. AT. Fillioux describes 36 coins, a number very close to that of the specimens currently known in the museums of Guéret (5 specimens), of the MAN of Saint-Germain-en-Laye (22 specimens) and of the Cabinet of the medals in Paris (8 specimens). If we add the examples reported in old private collections and if we consider the original endowments of Guéret (8 examples) and M. AT. NOT. (29 examples), we can be sure that the discovery included more than 36 coins and probably more than 50. The coins are in very good quality silver and the average weight of 76 examples (without flan accidents) coming from this workshop being 4.33 grams, we are indeed in the presence of drachmas. Despite the use of this monetary standard, these coins are not Greek and despite the choice of the initial prototypes, they are neither Massaliote nor Emporitan. The iconography is inspired by important monetary series; gold stater of Philip II of Macedon, heavy drachmas from Marseilles, drachmas from Emporia. We will thus have the possibility of a classification taking into account the reverses but it is obvious that that of Simone Scheers in five types taking into account the obverses is perfectly usable. Adrien de Longpérier, between 1862 and 1864, will be the first to point out to A. Fillioux the singularity of the reverses of these coins. It should be noted that the die engravers demonstrated a certain independence; we are in the presence of inspirational choices and not of more or less clumsy imitations. The treatment of these different themes will also use a certain number of symbols, the most remarkable of which will be the cauldron, an eminently Celtic object..

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