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E-auction 7-1402 - bgr_246132 - THESSALY - LARISSA Drachme
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| Estimate : | 225 € |
| Price : | 95 € |
| Maximum bid : | 95 € |
| End of the sale : | 16 May 2013 17:02:00 |
| bidders : | 7 bidders |
Type : Drachme
Date: c. 350-340 AC.
Mint name / Town : Thessalie, Larissa
Metal : silver
Diameter : 18,5 mm
Orientation dies : 8 h.
Weight : 5,72 g.
Coments on the condition:
Exemplaire sur un petit flan centré des deux côtés à l’usure importante, mais lisible et identifiable. Beau portrait avec une jolie expression de visage. Revers bien centré pour ce type. Patine de collection ancienne avec des reflets dorés
Catalogue references :
Obverse
Obverse legend : ANÉPIGRAPHE.
Obverse description : Tête de la nymphe Larissa de face tournée de trois-quarts de face à gauche, les cheveux retenus par un bandeau (l'ampyx).
Reverse
Reverse description : Cheval paissant à droite, l'antérieur repose sur la ligne de sol ; plante sous le cheval.
Reverse legend : LARIS// AIWN
Reverse translation : (de Larissa).
Commentary
Cet exemplaire, sur un flan relativement étroit tout en étant relativement complet, nous montre la maîtrise artistique du graveur qui a su habilement adapter son sujet à la forme circulaire du flan, tant au niveau du droit, où la chevelure vient harmonieusement occuper l’ensemble du flan et au revers, où le cheval semble se courber. Cette position où le cheval pose l’antérieur sur le sol semble beaucoup plus rare que ceux où il est carrément courbé avec le même antérieur plié.
This example, on a relatively narrow flan while being relatively complete, shows us the artistic mastery of the engraver who knew how to skillfully adapt his subject to the circular shape of the flan, both on the obverse, where the hair harmoniously occupies the entire flan and on the reverse, where the horse seems to bend. This position where the horse places the foreleg on the ground seems much rarer than those where it is completely bent with the same foreleg bent
This example, on a relatively narrow flan while being relatively complete, shows us the artistic mastery of the engraver who knew how to skillfully adapt his subject to the circular shape of the flan, both on the obverse, where the hair harmoniously occupies the entire flan and on the reverse, where the horse seems to bend. This position where the horse places the foreleg on the ground seems much rarer than those where it is completely bent with the same foreleg bent







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