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E-auction 270-192607 - fme_490859 - LOUIS XIV "THE SUN KING" Médaille de Jules Hardouin-Mansart

LOUIS XIV  THE SUN KING  Médaille de Jules Hardouin-Mansart F
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NO BUYER'S FEE.
Estimate : 30 €
Price : 16 €
Maximum bid : 20 €
End of the sale : 18 June 2018 18:33:30
bidders : 4 bidders
Type : Médaille de Jules Hardouin-Mansart
Date: 1702
Mint name / Town : France
Metal : bronze
Diameter : 38 mm
Orientation dies : 12 h.
Weight : 18 g.
Edge : lisse
Coments on the condition:
Aspect poreux. Présence de taches et incrustations. Présence de coups. Coupure dans le métal à 1 heure à l’avers

Obverse


Obverse legend : IULIUS HARDOUIN MANSART COM SAG S REG AED PR.
Obverse description : Buste de Jules Hardouin-Mansart à gauche.

Reverse


Reverse legend : ET PROTEGIT ET COLIT ARTES.
Reverse description : Allégorie des Arts assise à droite.

Commentary


Médaille signée H.R.F. sous le buste et I. MAVGER. F. à l’exergue du revers.

Jules Hardouin-Mansart, comte de Sagonne (1699), né le 16 avril 1646 à Paris et mort le 11 mai 1708 à Marly-le-Roi, est un architecte français. Il fut premier architecte du roi Louis XIV et surintendant des bâtiments du roi. Il est le petit-neveu de l'architecte François Mansart.
Il est formé par Libéral Bruant. Il construit le petit château de Val (1674) et gagne l'estime du roi Louis XIV après avoir dessiné les plans du château de Clagny, destiné à la maîtresse favorite du roi, Madame de Montespan. Il devient architecte ordinaire en 1675 et entre à l'Académie royale d'architecture. Premier architecte du roi en 1681, il est nommé intendant général des bâtiments du roi en 1685, inspecteur général des bâtiments du roi en 1691, et surintendant des bâtiments du roi en 1699. Il fut anobli par Louis XIV en 1682, mais il n'a pour tout titre que celui d'écuyer, car il n'a pas de terre titrée. Il devra attendre 1699 et l'acquisition du comté de Sagonne en Bourbonnais (pour 130 000 livres) pour faire valoir son titre de comte..
Medal signed HRF under the bust and I. MAVGER. F. in the exergue on the reverse. Jules Hardouin-Mansart, Count of Sagonne (1699), born on April 16, 1646 in Paris and died on May 11, 1708 in Marly-le-Roi, was a French architect. He was first architect to King Louis XIV and superintendent of the king's buildings. He was the great-nephew of the architect François Mansart. He was trained by Libéral Bruant. He built the small Château de Val (1674) and gained the esteem of King Louis XIV after drawing up the plans for the Château de Clagny, intended for the king's favorite mistress, Madame de Montespan. He became an ordinary architect in 1675 and entered the Royal Academy of Architecture. First architect to the king in 1681, he was appointed general intendant of the king's buildings in 1685, general inspector of the king's buildings in 1691, and superintendent of the king's buildings in 1699. He was ennobled by Louis XIV in 1682, but his only title was that of squire, as he had no titled land. He had to wait until 1699 and the acquisition of the county of Sagonne in Bourbonnais (for 130,000 livres) to assert his title of count.

Historical background


LOUIS XIV "THE SUN KING"

(05/14/1643-09/01/1715)

The reign of Louis XIV is the longest and most glorious in the history of France. Son of Louis XIII and Anne of Austria, born September 5, 1638, the third Bourbon king ascended the throne in 1643 and remained there for seventy-three years. He died on September 1, 1715, aged seventy-seven.. Between 1643 and 1661, under the regency of Anne of Austria and the ministry of Cardinal Mazarin, absolutism was built through combat: internal struggle against the Fronde, external struggle against Spain. The personal reign of Louis XIV began in 1661, when the young king decided to "govern by himself".. The absolute monarchy then reached its peak, the king being surrounded by a team of exceptional ministers: Le Tellier, Louvois, Colbert, Seignelay. This prosperous period ended during the 1680s, with the first setbacks, the revocation of the Edict of Nantes (1685), the end of the great external successes and the gradual disappearance of the entourage of the first years (Colbert died in 1683 , Le Tellier in 1685, Seignelay in 1690, Louvois in 1691). The third and last part of the reign, between 1685 and 1715, is more difficult. The aging king finds no such collaborators. Glorious, this reign was first a warlike reign. Never has France known so many wars: the Thirty Years' War, completed with the Empire in 1648, with Spain only in 1659, War of Devolution (1667-1668), War of Holland (1672-1678), war with Spain (1684), War of the League of Augsburg (1688-1697), War of the Spanish Succession (1701-1713). She never knew more victories and more conquests: in 1648, the treaties of Westphalia gave her Alsace, in 1659, the peace of the Pyrenees, Artois and Roussillon; in 1668, by the Peace of Aix-la-Chapelle, it reached Flanders; in 1678, by the Treaty of Nijmegen, Franche-Comté. In 1681, the king annexed Strasbourg. The following decades were less happy: in 1697 (Treaty of Ryswick), France ceded Luxembourg; in 1713 and 1714 (treaties of Utrecht and Rastadt), she abandoned Acadia, a prelude to the loss of America, fifty years later. The reign of Louis XIV therefore corresponds quite exactly to the age of French preponderance in Europe: France supplanted Spain; it will soon be supplanted by England, which holds the empire of the seas and the expanses of the New World. To the glory of the victorious and conquering king is added the glory of the king administrator, legislator, protector of arts and letters. Louis XIV and his ministers gave perfection to the construction of the monarchy: the legislation was reformed, the nobility subdued, the provinces tamed, heresy overthrown, artists and writers put themselves at the service of royal power. Lex una sub uno sole: "a single law under a single sun": everything must revolve around the star-master. The whole of Europe feels the attraction and prestige of Versailles. The reality is undoubtedly less brilliant than this flattering program: the royal administration remains too small to really frame the largest and most populous kingdom in Europe; particularisms resist; the Protestants leave to enrich the enemies of France. The fact remains that it is the image of the king of glory that has imposed itself in the memories, as Louis XIV had decided and wanted it.. There lies the true triumph of this prince: for France and for Europe, for the following century and for centuries to come, for contemporaries as for posterity, he was and remains the king par excellence.. Coins and medals, which restore to us the Jupiterian profile of the great monarch, are part of this will and this success.. Louis XIV paid particular attention to them: the Grand Siècle is also a great century of numismatics.

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