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E-auction 159-97252 - fjt_361797 - FRENCH ROYAL ACADEMY OF PAINTING AND SCULPTURE Académie royale de Peinture et de Sculpture n.d.

FRENCH ROYAL ACADEMY OF PAINTING AND SCULPTURE Académie royale de Peinture et de Sculpture XF
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NO BUYER'S FEE.
Estimate : 50 €
Price : 24 €
Maximum bid : 26 €
End of the sale : 02 May 2016 19:13:00
bidders : 6 bidders
Type : Académie royale de Peinture et de Sculpture
Date: n.d.
Metal : bell metal
Diameter : 33 mm
Orientation dies : 12 h.
Weight : 19,85 g.
Rarity : R1
Catalogue references :

Obverse


Obverse legend : LUDOVIC. XVI. FRANC. ET. NAVAR. REX.
Obverse description : Buste à gauche de Louis XVI, signé DU VIVIER, type Guéant Prieur 752C.
Obverse translation : Louis XVI, roi des Francs et de Navarre.

Reverse


Reverse legend : MENTEM - FURATUS OLYMPO ; À L’EXERGUE : PRÆM. IN ACAD. REG. PICT. ET. SCULPT. PAR..
Reverse description : Génie ailé debout tenant un rouleau et une plume. Sur le sol, des instruments de peinture et de sculpture dont un rouleau signé D.V.
Reverse translation : Il tient son intelligence de l’Olympe ; à l’exergue : prix de l’académie royale de peinture et de sculpture.

Commentary


Ce jeton en métal de cloche de la période révolutionnaire a dû être remis au(x) “ meilleur(s) ” membre(s) de l’académie de peinture et de sculpture. Il s’agit d’une fabrication artisanale certainement rendue nécessaire par l’impossibilité de procéder à des frappes normales en argent. C’est cet exemplaire qui illustre le type dans le Guéant Prieur.
This metal bell token from the revolutionary period must have been awarded to the “best” member(s) of the Academy of Painting and Sculpture. It is a handcrafted product, certainly made necessary by the impossibility of carrying out normal silver strikes. It is this example that illustrates the type in the Guéant Prieur

Historical background


FRENCH ROYAL ACADEMY OF PAINTING AND SCULPTURE

The Royal Academy of Painting and Sculpture, responsible for training future painters and sculptors, was established in 1648 on the initiative of a group of artists, including Philippe de Champaigne, Sébastien Bourdon, Charles Le Brun, or again Juste d'Egmont, supported by Mazarin himself, in order to counteract the influence of the guilds of Saint-Luc, and to formalize the distinction between the noble arts and the so-called "mechanical" arts. By favoring artists in this way, the Académie, established in the Louvre in 1656, immediately subscribed to the prestige policy of the monarchy and to the idea of the Grand Siècle, to which it provided numerous references. Its motto is "Libertas artibus restituta". Some famous names have written the greatness of the Academy: Jacques Firmin, Beauvarlet, Philippe de Champaigne, Jacques-Louis David, Nicolas de Largillière, Charles Le Brun, Jean-Baptiste Pigalle, Hyacinthe Rigaud, Élisabeth Vigée Le Brun, Dominique Vivant Denon , etc. Recommended reading: VITET L., "The Royal Academy of Painting and Sculpture", Paris, 1861.

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