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fjt_321423 - FRANCIS I Simon de Passe - François Ier de France et Socrates n.d.

FRANCIS I Simon de Passe - François Ier de France et Socrates AU
Not available.
Item sold on our e-shop (2015)
Price : 140.00 €
Type : Simon de Passe - François Ier de France et Socrates
Date: n.d.
Metal : silver
Diameter : 25,5 mm
Orientation dies : 12 h.
Edge : lisse
Rarity : R1

Obverse


Reverse


Commentary


C’est sous le règne de Jacques VI, dans les années 1620, que Simon de Passe va graver une série de trente-six jetons des monarques anglais d’Édouard le Confesseur (mort le 5 janvier 1066) à Charles Ier (roi en 1625).
Il a aussi réalisé des jetons de souverains étrangers.
La technique utilisée, en creux, est très particulière et leur donne un charme suranné.
La famille de Simon de Passe est très célèbre dans le monde de la gravure et des estampes, fondée par Crispin de Passe l’Ancien dont la page wikipedia http://fr.wikipedia.org/wiki/Crispin_de_Passe_l%27Ancien nous dit :
Crispin de Passe l'Ancien, également Crispijn van de Passe, né à Arnemuiden en 1564 et mort à Utrecht en mars 1637, est un dessinateur, graveur, imprimeur et éditeur néerlandais.
Crispin de Passe commence sa carrière à Anvers, où il apparaît comme maître de la guilde en 1584-1585. Une de ses premières œuvres est le portrait gravé du philosophe belge Juste Lipse (Justus Lipsius) (1547-1606) qui date de 1587. Dès 1588 il réalise une série de 46 illustrations de la bible d'après des dessins de Martin de Vos (1532-1603). Ce travail lui est publié par le célèbre éditeur Christophe Plantin. Entre 1588 et justqu'à la fin des années 1590, de Passe vit et travaille à Cologne où naissent ses enfants. Il a pour élève Peter Isselburg, qui deviendra par la suite un graveur populaire en Allemagne.

Il va fonder une dynastie de graveurs et d'éditeurs flamands qui travailleront principalement en Europe du nord. Il forme lui-même ses enfants, Simon (né en 1595 à Cologne, mort en 1647 à Amsterdam), Magdalena Van de Passe, Crispin le jeune (né à Cologne en 1597, mort à Amsterdam en 1670) et Willem (Guillaume) né en 1598 à Cologne et mort en 1636 à Londres. Pour cette raison, il est parfois difficile de distinguer les œuvres des différents membres de la famille. Ils travaillent tous comme dessinateurs et graveurs, ce qui leur permet de publier leurs propres œuvres gravées ainsi que les œuvres dessinées par d'autres artistes.
À noter sur la page anglaise correspondante un incroyable portrait de Pocahontas par Simon de Passe gravé en 1616.

Historical background


FRANCIS I

(01/01/1515-31/03/1547)

The advent of François I traditionally marks the beginning of the Ancien Régime in France, without it being possible to grasp how it differs from the Middle Ages.. The new era is essentially distinguished by the exaltation of the very person of the king, to the detriment of more abstract concepts (the Throne, the Crown). The monarchical religion was then organized around an incarnation: heroized, identified sometimes with Caesar, sometimes with the Gallic Hercules, François I imposed himself as a warrior and as a vigilante, all at once king of war, king of the arts and king of glory. Around him, a first Court embryo was created, a first label. It was then that this "state ceremonial" was born, which American historians have made one of their main objects of study.. Born in Cognac in 1494, François was the son of Charles de Valois, Count of Angoulême and Louise de Savoie. Step-son of Louis XII, whose daughter Claude de France he married, he succeeded him in 1515, in the absence of a direct male heir of the deceased.. The new king continued the Italian policy of his predecessor. The first year of the reign of the reign was marked by a first descent into the Peninsula, with the victory of Marignan against the Swiss and the conquest of the Milanese. The following year, Francis concluded the Concordat of Bologna with Pope Leo X, which made the king the master of episcopal appointments in his kingdom, and signed a perpetual peace with the Swiss.. In 1519, on the death of Maximilian I, the King of France sought the imperial crown, but it went to the one who was to be his great rival: Charles V. This prince brings together two heritages: one, "Burgundy" and imperial, comes to him from his father, Philippe le Beau and his grandfather, the Emperor Maximilien: these are the remains of the possessions of Charles the Bold (Flanders, Franche-Comté), the domains of the Habsburgs (Austrian duchies, Lower Alsace) and the imperial crown of the Holy Roman Empire; the second, Mediterranean and Spanish, comes to him from his mother, Jeanne la Folle: these are Castile, Aragon and the Iberian "kingdoms" which are attached to them, these are the Italian possessions (Milanese, Kingdom of Naples); it will soon also be the Indies, whose conquest and organization continue under the reign of the emperor. Having failed to forge an alliance with the King of England, Henry VIII (Camp du Cloth d'Or, 1520), betrayed by the Constable of Bourbon, his main feudatory, François engaged in a difficult struggle against the Imperials, quite both in the east of France and in Italy. In 1525, after having taken over Milan, the king was beaten and taken prisoner in front of Pavia. In his absence, Louise of Savoy exercised the regency. Captive in Spain, Francis signed the Treaty of Madrid there (1526), which he renounced upon his release.. The war continued, marked by the sack of Rome by the Imperials (1527). At the Peace of Cambrai (1529), France renounced Italy and François married Éléonore of Austria, sister of Charles V. The war resumed in 1536, after Francis had forged alliances with England, Sweden, German Protestants and the Ottoman Empire.. Trier and battles alternated until the treaty of Crespy (1544) with the Emperor and of Ardres (1546) with England, which had changed sides in the meantime.. To this uncertain assessment of his foreign policy, the king could oppose that, more brilliant, of his internal management: protection given to the arts and letters, creation of the Collège de France (1529), ordinance of Villers-Cotterêts (1539), instituting civil status and imposing the use of French in official documents. Unlike other European monarchies (that of the Tudors for example), the French monarchy benefited at the beginning of the 16th century from an undisputed legitimacy, anchored in the most distant past.. Authoritarian princes, François I and his son took the opportunity to strengthen the royal power. The Council began to structure itself; the secretaries of state made their appearance. Without disappearing, the representative institutions are not able to disturb a monarchy which seems full of life and health. The reign of François I therefore appears ultimately as a first age of absolutism..

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